Meryl Streep, Sandra Bullock, Oprah Winfrey starring a film being directed by the Sex and the City guy
Oct 25
Comingsoon reports Oscar winners Meryl Streep and Sandra Bullock will co-star with Oscar nominee Oprah Winfrey in a new comedy film (currently untitled) being directed by Michael Patrick King (Sex and the City) at Universal Pictures.
Talk about winning over the majority female audience in a single heartbeat. Cast lady-favorites Bullock, Streep and TV legend Winfrey in a film directed by ‘the Sex and the City guy’. They don’t even need to name him, just display the title card during the trailer: From the director of Sex and the City. Then the already-intrigued will see who it stars and BAM! Universal’s work is done. Cash it in.
Plot? Story? Those things will only be added bonus. But in case you are actually interested, the film will be set around the world of a home shopping TV network and follows the characters as they make their way through the maze of mania that surrounds marketing, marriages and the media. I can already hear the girlie cackles.
Director Michael Patrick King is also writing. No word on when the film is expected to arrive, nor who the hunky male co-stars will be.
Call Sheet: Zach Galifianakis in REPLY ALL, Tina Fey with Meryl Streep, Rhianna in BATTLESHIP and Nicolas Cage has promotion sickness
Aug 02
Call Sheet: A weekly run-down of movie casting news and rumours from around the web.
Zach Galifianakis, that chubby, hairy guy from The Hangover, keeps getting work in increasingly interesting roles. Deadline reports DreamWorks has purchased the comedy pitch Reply All, being written by Phil Johnston as a star vehicle for Galifianakis who will play a guy who hits the “reply all” button to an indiscreet e-mail and then has to deal with the repercussions. Take that, You’ve Got Mail!
Who can keep track of what the fuck Guillermo Del Toro might be developing next? There’s talk of a Van Helsing project, then there’s The Haunted Mansion, and he walked out on The Hobbit… Well, Deadline thinks that he will finally get to make the adaptation of H.P. Lovecraft‘s At The Mountain Of Madness with producer James Cameron. Yes, that sounds exciting… and almost too good to be true. Or any good.
Liam Neeson revealed to DigitalSpy that he’s too old to play Abraham Lincoln in Steven Spielberg’s biopic about the former U.S. President’s life. Neeson was attached to star but is currently about 58 years old and Lincoln was 46 when he was assassinated in 1865. Too bad, it would have been nice to see a Schindler’s List reunion between Spielberg and Neeson.
24 Frames reports that the little girl who swears in Kick-Ass, Chloe Moretz, will star in The Rut for director Karyn Kusama (Jennifer’s Body). You can next see darling Chloe in Matt Reeve’s Let Me In.
Sylvester Stallone has open said there will be no more Rambo sequels, however, he admitted to AICN that the idea of a prequel might be interesting. In answering a fan question about a possible Rambo prequel, he said:
I certainly think this is worth pondering because it’s intriguing to find the whys and wherefores of how people have come to become what they are. The traumas, the loss and the tragedy of being in Vietnam would certainly be a great challenge for a young actor and it would be ironic that Rambo directs younger Rambo after having played it for 20 plus years.
Speaking of Sly, a new take on Judge Dredd (in 3D, of course) will begin filming in a few months with Karl Urban starring as ‘The Law’. He revealed it on 3News over the weekend.
Lars Von Trier‘s psychological thriller Melancholia is currently in production, starring Kirsten Dunst, Kiefer Sutherland, Charlotte Rampling, Alexander Skarsgaard, Stellan Skarsgaard, John Hurt and Udo Kier. While exact plot details have been kept under wraps, The Playlist has learned it has something to do with “an enormous planet that evidently looms threateningly close to Earth”. Cool. Send Bruce Willis—he’ll know what to do.
THR reveals adult starlet Sasha Grey will join ‘real’ actors Thomas Jane, Rob Lowe and Jeremy Piven on the film I Melt With You, being directed by Mark Pellington. You might remember him from that U2-3D concert in 2007. No?
THR better not be teasing! They report that Meryl Streep will collaborate with comedy-queen Tina Fey in the Mommy And Me, a comedy being directed by Streep’s Julie & Julia co-star Stanley Tucci.
Movieline reveals via a reliable source that Darren Aronofsky’s reboot/remake of Robocop is officially dead. Thank Christ.
The hilarious Old Spice guy, Isaiah Mustafa, told Hollywood Reporter he’s joined the cast of Seth Gordon’s Horrible Bosses. While only a small part, he’ll share the screen with Jamie Foxx, Colin Farrell, Kevin Spacey, Charlie Day, Jason Bateman and Jennifer Aniston. I’m on a horse!
RiskyBusiness revealed DreamWorks have bought the original comedy Raised By Wolfs from writer Les Firestein, with comedian Steve Carell already attached to star. The plot is still under wraps. I’m sure Steve will do some yelling in it at some stage. Perhaps that’s built into the contract?
Deadline reports Justin Timberlake has been offered the lead male role in I’M.MORTAL alongside Amanda Seyfried. Does Hollywood realise this guy sings songs? He must be doing something right. I’m looking forward to seeing how he does in David Fincher’s The Social Network. Until then, I feel for the actors who have struggled for years watching roles get swooped up by that kid from N’Sync.
While we’re on singers trying to be actors, Variety reports pop star Rihanna will make her feature debut with the big budget Universal-Hasbro toy-tie-in movie Battleship. The film has been described as a contemporary story of an international five-ship fleet engaged in a very dynamic, violent and intense battle. So, no giant pegs plummeting from the sky and bombing boats. Shame.
Variety also reports director Asger Leth is in talks to direct Sam Worthington in the cop thriller Man On A Ledge for Summit. Something tells me it’s all about a guy threatening to jump. From a ledge. And someone will have to, you know, save him… and themselves.
THR reveals Jordana Spiro (from TV’s My Boys) has joined the cast of Joel Schumacher’s Trespass with Nicolas Cage and Nicole Kidman. It’s about a married couple taken hostage by four brutal thieves seeking easy cash. Hey, what more do you expect? It’s a Schumacher film.
Speaking of good ol’ Nicolas Cage, here’s a wonderful video revealing some his craftier promotional techniques used while doing the rounds for his latest, The Sorcerer’s Apprentice:
That’s about all for this week’s Call Sheet, thanks for reading!
Call Sheet: Meryl Streep, Amanda Seyfried, Scream 4, Demi Moore, Angela Bassett and someone will finally be Spider-Man
Jul 05
Call Sheet: A weekly run-down of movie casting news and rumours from around the web.
- Undoubtedly the biggest casting news of the week was the appointment of Andrew Garfield as Peter Parker in the all-new upcoming Spider-Man franchise reboot, being directed by Marc Webb.
- THR revealed the second biggest (potential) casting news of the week: Meryl Streep may be signing on to star in the biopic about Margaret Thatcher, the UK’s first and only female Prime Minister to date. The Iron Lady (yeah…) is being developed by Mumma Mia! director Phyllida Lloyd. Jim Broadbent is in talks to play Margaret Thatcher’s husband, Denis.
- Scream 4 has so many comings and goings it’s been hard to keep track. It’s even had a complete re-write, which, given production has already started, is ironically scary. Anyway, Adam Brody, Marley Shelton, Erik Knudsen, Alison Brie and Mary McDonnell have all joined the cast over the past week.
- Amanda Seyfried is set to star in Disney’s live action retelling of Cinderella, written by The Devil Wears Prada scribe Aline Brosh McKenna. I’m excited by this news because it also means I get to post a photo of Amanda’s gorgeous face. See:
- The New York Times has it on good authority that Paul Reubens will finally return to his PeeWee Herman character in a feature film being directed by Judd Apatow. I don’t know about anyone else, but ‘Pee-Wee’ sorta creeps me out… and not in an entertaining way. At all.
- There’s a popular comic book (sorry, ‘graphic novel’) called Cowboys & Aliens that is being turned into another comic-book-adaptation-feature-film. People are excited about it because it’s being directed by Iron Man 1 & 2 director Jon Favreau, and currently stars Daniel Craig, Olivia Wilde, Harrison Ford and Sam Rockwell (which, granted, is a very impressive cast). Anyway, All My Children‘s Abigail Spencer just joined the cast this week.
- Demi Moore will play Miley Cyrus’ mother in an adaptation of the French film LOL. Yep– that’s Laugh Out Loud. Internet talk in movie titles. Brilliant. Ashley Greene, who plays Alice Cullen in Twilight, and Thomas Jane are also in negotiations to join the film.
- Deadline is reporting that Colin Farrell and Eric Bana are currently in negotiations to star in By Virtue Fall, which will be directed by Up In The Air co-writer Sheldon Turner.
- Slashfilm reckons Bradley Cooper is no longer interested in M. Night Shyamalan‘s next project. After the bashing The Last Airbender has been getting, I’d say it’s a smart move to get as far away as possible.
- THR broke the news that Angela Bassett will star alongside Paula Patton in Jumping the Broom, a wedding-themed ensemble comedy directed by Salim Akil. She’s a fantastic actress, but every time I see her I always see Michael Jackson’s mother from that 90′s mini-series The Jacksons.
- While everyone was scoffing about how fucking stupid an idea the LEGO movie is, Warner Brothers went ahead and hired Chris Miller and Phil Lord to direct. They were responsible for Cloudy With A Chance of Meatballs, which was surprisingly good and entertaining. So, now what are we supposed to think, WB? You’ve got some fresh directors but a product with NO PLOT… the screenplay/logline/premise is going to be damn interesting, whenever it is revealed.
- David Fincher‘s The Social Network just got a little more interesting for fans of Nine Inch Nails: Trent Reznor and Atticus Ross are writing the score for the film.
- And finally, in a rumour that will never go away for a project that will likely never happen, producer Jerry Bruckheimer still thinks Tom Cruise might be up for Top Gun 2. Because that’s what the world needs right now. It’s not the 80′s any more, Bruckheimer… move on, please.
Call Sheet: Matt Damon, Meryl Streep, Jeff Bridges, Bruce Willis, Gweneth Paltrow, Neil Patrick Harris
Jun 28
Call Sheet: A weekly run-down of movie casting news and rumours from around the web.
- Variety reckons Matt Damon is in talks to join Cameron Crowe’s Zoo, based on Benjamin Mee’s bestselling memoir We Bought a Zoo. Damon would play Benjamin Mee, a widowed father who buys a dilapidated zoo in the English countryside. Intense action ensues.
- Moviehole recently talked with Major League writer/director David S Ward who revealed that he hopes Charlie Sheen would return to play Wild Thing in Major League 4.
- “Wild Thing comes out of retirement to work with this 19-year-old player. We’ve actually got three new characters in the new film. And if the new film is popular, they could carry the franchise on.”
- Variety reports that Daniel Radcliffe (erm, Harry Potter) is set to star in a new version of the classic novel All Quiet on the Western Front which is on track to shoot in the spring of 2012. Meanwhile, I wonder who’ll play the new Harry Potter in the bound-to-happen spin-off movies?
- Deadline reveals that City of God director Fernando Meirelles will direct a film called 360, written by Peter Morgan. Will he ever be able to match City of God?
- The Wrap seem to think Mike Nichols is in negotiations to direct Meryl Streep and Jeff Bridges as a married couple in Great Hope Springs.
- THR (via Slashfilm) report that Wayne Kramer is looking to direct Pretty Boy Floyd, a film about bank robber Charles Arthur ‘Pretty Boy’ Floyd.
- Robin Hare wrote about Michael Fassbender choosing X-Men: First Class over the Spider-Man reboot. Nice to be some.
- THR reports Michael Shannon and Jamie Chung are in talks to join the action-thriller film Premium Rush, being directed by David Koepp. Joseph Gordon-Levitt is already attached.
- According to Slashfilm, M. Night Shyamalan is shopping his next script around Hollywood with Bruce Willis, Gweneth Paltrow and Bradley Cooper rumoured to be attached. There’s hardly anything else about the project available at the moment– not even a logline or a title.
- Slashfilm reports that Imogen Poots has joined Toni Collette and Colin Farrell for the remake of the 1985 vampire film Fright Night. I wonder if this would still be happening without Twilight being so popular?
- Slashfilm reports that Neil Patrick Harris has confirmed he will appear in A Very Harold & Kumar Christmas. I guess fans of the franchise and Neil are excited by this, but it’s hardly surprising.
- 20th Century Fox revealed that John Lithgow has signed on to join Planet of the Apes prequel Rise of the Apes. James Franco is already attached and Don Cheadle is rumoured to be negotiating. Hands-up if you only know Lithgow as the Dad in 3rd Rock From The Sun? Shame on you… go rent Harry And The Hendersons.
- Slashfilm reports that Pierce Brosnan and his son Sean Brosnan are teaming up to co-star in a film called Bonded, which will see them in an “Oliver Twist-esque” thriller based on a story that took place in California in the early ’90s… I guess the Men-Expert ads didn’t pay enough?
- Due to scheduling conflicts Lake Bell had to leave Scream 4 just days before production got under way. I’m not sure that’ll make much of a difference to the film, it’s just a pain in the ass for the production. Here’s a saucy picture of her, anyway:
Thoughts on a ground-breaking Oscars ceremony (82nd Academy Awards)
Mar 08
It used to be that I’d have to endure a media blockout through an entire Monday so I could enjoy the Oscars telecast. As it happens live on a Sunday night in the States, it’s actually around 10AM Monday morning in Australia, and in the past the TV network screening the event wouldn’t do so until the prime time slot later that evening, usually 8 or 9 pm. This meant having to avoid all computers, internet, radio, TV — even friendly text messages from some clueless friends– lest the surprise of who won what be spoiled before I could actually sit down and watch the show.
This year, thankfully, the 82nd Academy Awards were beamed to our shores live in the morning and I was able to kick back on the couch with some hot coffee and toast for breakfast and enjoy the show.
It was tough explaining to my two year old son that he couldn’t watch his cartoons today because Daddy was watching a special show about movies winning awards. My 11 month old was clueless and used the opportunity of me being distracted to get into anything he wasn’t supposed to– drawers, kitchen cupboards, the fridge… you name it. The Oscars are a completely different experience when you’re also running around after two little ones. But there was no way I was missing this telecast!
Neil Patrick Harris opening the show with a surprise musical number did nothing for me. I don’t like that guy much– but he did do an okay job.
I have been looking forward to Alec Baldwin and Steve Martin hosting the show since it was announced last year. No doubting they would deliver some great comedy, they certainly delivered, albeit with the occasional misstep along the way. Steve Martin won the night with his perfectly timed wise-cracks, and Baldwin’s stare-down with George Clooney was a nice touch. Made me think how great it would be to have Clooney guest-appear on 30 Rock.
Speaking of 30 Rock, the best presenters by far were Tina Fey and Robert Downey Jr. who presented the award for Best Original Screenplay. Their comical bit about writers -vs- actors is definitely a keeper. Great pairing. If only they had read out the correct name for the winner — I feel it should have gone to Quentin Tarantino for Inglourious Basterds. But hey, it was a Hurt Locker night.
‘Basterds’ did at least pick up one award and was probably the most deserving award of all the categories. Christoph Waltz winning Best Supporting Actor for his role as The Jew Hunter was a great way to start the show, and ignited a small feeling of victory inside me… perhaps bcause deep-down I somehow knew that would be all the awards ‘Basterds’ was getting. Christoph’s speech was equally winning, but it wasn’t the best of the night. That recognition arguably went to Mo’Nique after winning the Best Supporting Actress Oscar for her role in Precious. “I’d like to thank the Academy for awarding the performance and not the politics.” Take that.
I normally enjoy the In Memoriam section of the show and get a little teary when I think about the great talent that has come and gone. Especially as an old-school Michael Jackson fan, it was great seeing him be represented for his small work with motion pictures. This year the section seemed hurried and under-done. Patrick Swayze was the first Actor shown on the screens while James Taylor sang live beneath the images, but there was hardly enough time to take it in and reflect before the montage hurried on. I didn’t notice the absence of Farrah Fawcett personally, I only read about it afterwards. But that is one pretty horrible oversight by the Academy (that is, unless the family opted for the recognition to be omitted.)
There was a fantastic video package that paid homage to horror movies. Unfortunately I only got several clips into it before I realised my boy was watching and I needed to get him out the room or change channel real quick. I’ll have to find it online at a later date (or watch the delayed replay). From what I saw, it looked great. Nice to see horror as a genre getting a mention at the Oscars, and nice to see The Exorcist get a couple of nods in there, too — I sure hope An American Werewolf In London was featured.
Like last year, the stage was lined with fellow actors (in this case, co-stars) who briefly spoke personally about each nominee in the Best Actor and Actress categories before the winners were announced (Jeff Bridges for Crazy Heart and Sandra Bullock for The Blind Side). I’m a fan of this format. I like that it helps the categories stand out from the rest I like how it’s more formal and often insightful. Yes, it takes longer, but it’s worth it– plus the building of tension never hurts.
I hope next year Pixar don’t win Best Animated Feature. You know, just to mix it up and keep them on their toes. UP was okay and all, but hardly top-shelf Pixar stuff.
Seeing Cameron’s face sitting behind ex-wife Kathryn Bigelow as The Hurt Locker picked up it’s six awards was priceless. Especially as it beat Avatar to the ‘big ones’– Best Picture, Best Director and Best Editing. The time was right for Bigelow to be the first woman in Oscar history to win Best Director. It wasn’t a consolation prize. It wasn’t awarded ‘just because’. The Hurt Locker truly deserves the kudos it received from the Academy and Bigelow certainly deserves her Oscar. On a night where the art of motion pictures is honoured, I feel like they got it right. If Most Box Office Takings were a category, we know what would have won– and Avatar already has won in the ‘real world’, like it or not. But those cracking a sook over how the Academy could overlook a film that is the highest grossing of all time need to back away and look at the whole picture. It’s not just about which films the public likes best — it’s about which films have artistic merit and honour the craft of filmmaking accordingly. Avatar may look spectacular, but in terms of raw performance and honesty on the screen, The Hurt Locker is your winner. And now, that’s a fact.
Here’s a list of all the winners on the night:
Actor in a Leading Role
** Jeff Bridges in Crazy Heart
George Clooney in Up in the Air
Colin Firth in A Single Man
Morgan Freeman in Invictus
Jeremy Renner in The Hurt Locker
Actor in a Supporting Role
Matt Damon in Invictus
Woody Harrelson in The Messenger
Christopher Plummer in The Last Station
Stanley Tucci in The Lovely Bones
** Christoph Waltz in Inglourious Basterds
Actress in a Leading Role
** Sandra Bullock in The Blind Side
Helen Mirren in The Last Station
Carey Mulligan in An Education
Gabourey Sidibe in Precious: Based on the Novel ‘Push’ by Sapphire
Meryl Streep in Julie & Julia
Actress in a Supporting Role
Penélope Cruz in Nine
Vera Farmiga in Up in the Air
Maggie Gyllenhaal in Crazy Heart
Anna Kendrick in Up in the Air
** Mo’Nique in Precious: Based on the Novel ‘Push’ by Sapphire
Animated Feature Film
Coraline Henry Selick
Fantastic Mr. Fox Wes Anderson
The Princess and the Frog John Musker and Ron Clements
The Secret of Kells Tomm Moore
** Up Pete Docter
Art Direction
** Avatar Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
The Imaginarium of Doctor Parnassus Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
Nine Art Direction: John Myhre; Set Decoration: Gordon Sim
Sherlock Holmes Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
The Young Victoria Art Direction: Patrice Vermette; Set Decoration: Maggie Gray
Cinematography
** Avatar Mauro Fiore
Harry Potter and the Half-Blood Prince Bruno Delbonnel
The Hurt Locker Barry Ackroyd
Inglourious Basterds Robert Richardson
The White Ribbon Christian Berger
Costume Design
Bright Star Janet Patterson
Coco before Chanel Catherine Leterrier
The Imaginarium of Doctor Parnassus Monique Prudhomme
Nine Colleen Atwood
** The Young Victoria Sandy Powell
Directing
Avatar James Cameron
** The Hurt Locker Kathryn Bigelow
Inglourious Basterds Quentin Tarantino
Precious: Based on the Novel ‘Push’ by Sapphire Lee Daniels
Up in the Air Jason Reitman
Documentary (Feature)
Burma VJ Anders Østergaard and Lise Lense-Møller
** The Cove Louie Psihoyos and Fisher Stevens
Food, Inc. Robert Kenner and Elise Pearlstein
The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers Judith Ehrlich and Rick Goldsmith
Which Way Home Rebecca Cammisa
Documentary (Short Subject)
China’s Unnatural Disaster: The Tears of Sichuan Province Jon Alpert and Matthew O’Neill
The Last Campaign of Governor Booth Gardner Daniel Junge and Henry Ansbacher
The Last Truck: Closing of a GM Plant Steven Bognar and Julia Reichert
** Music by Prudence Roger Ross Williams and Elinor Burkett
Rabbit à la Berlin Bartek Konopka and Anna Wydra
Film Editing
Avatar Stephen Rivkin, John Refoua and James Cameron
District 9 Julian Clarke
** The Hurt Locker Bob Murawski and Chris Innis
Inglourious Basterds Sally Menke
Precious: Based on the Novel ‘Push’ by Sapphire Joe Klotz
Foreign Language Film
Ajami Israel
The Milk of Sorrow (La Teta Asustada) Peru
A Prophet (Un Prophète) France
** The Secret in Their Eyes (El Secreto de Sus Ojos) Argentina
The White Ribbon (Das Weisse Band) Germany
Music (Original Score)
Avatar James Horner
Fantastic Mr. Fox Alexandre Desplat
The Hurt Locker Marco Beltrami and Buck Sanders
Sherlock Holmes Hans Zimmer
** Up Michael Giacchino
Music (Original Song)
Almost There from The Princess and the Frog Music and Lyric by Randy Newman
Down in New Orleans from The Princess and the Frog Music and Lyric by Randy Newman
Loin de Paname from Paris 36 Music by Reinhardt Wagner Lyric by Frank Thomas
Take It All from Nine Music and Lyric by Maury Yeston
** The Weary Kind (Theme from Crazy Heart) from Crazy Heart Music and Lyric by Ryan Bingham and T Bone Burnett
Best Picture
Avatar James Cameron and Jon Landau, Producers
The Blind Side Gil Netter, Andrew A. Kosove and Broderick Johnson, Producers
District 9 Peter Jackson and Carolynne Cunningham, Producers
An Education Finola Dwyer and Amanda Posey, Producers
** The Hurt Locker Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, Producers
Inglourious Basterds Lawrence Bender, Producer
Precious: Based on the Novel ‘Push’ by Sapphire Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
A Serious Man Joel Coen and Ethan Coen, Producers
Up Jonas Rivera, Producer
Up in the Air Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers
Short Film (Animated)
French Roast Fabrice O. Joubert
Granny O’Grimm’s Sleeping Beauty Nicky Phelan and Darragh O’Connell
The Lady and the Reaper (La Dama y la Muerte) Javier Recio Gracia
** Logorama Nicolas Schmerkin
A Matter of Loaf and Death Nick Park
Short Film (Live Action)
The Door Juanita Wilson and James Flynn
Instead of Abracadabra Patrik Eklund and Mathias Fjellström
Kavi Gregg Helvey
Miracle Fish Luke Doolan and Drew Bailey
** The New Tenants Joachim Back and Tivi Magnusson
Sound Editing
Avatar Christopher Boyes and Gwendolyn Yates Whittle
** The Hurt Locker Paul N.J. Ottosson
Inglourious Basterds Wylie Stateman
Star Trek Mark Stoeckinger and Alan Rankin
Up Michael Silvers and Tom Myers
Sound Mixing
Avatar Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
** The Hurt Locker Paul N.J. Ottosson and Ray Beckett
Inglourious Basterds Michael Minkler, Tony Lamberti and Mark Ulano
Star Trek Anna Behlmer, Andy Nelson and Peter J. Devlin
Transformers: Revenge of the Fallen Greg P. Russell, Gary Summers and Geoffrey Patterson
Visual Effects
** Avatar Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
District 9 Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
Star Trek Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton
Writing (Adapted Screenplay)
District 9 Written by Neill Blomkamp and Terri Tatchell
An Education Screenplay by Nick Hornby
In the Loop Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
** Precious: Based on the Novel ‘Push’ by Sapphire Screenplay by Geoffrey Fletcher
Up in the Air Screenplay by Jason Reitman and Sheldon Turner
Writing (Original Screenplay)
** The Hurt Locker Written by Mark Boal
Inglourious Basterds Written by Quentin Tarantino
The Messenger Written by Alessandro Camon & Oren Moverman
A Serious Man Written by Joel Coen & Ethan Coen
Up Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarth
OPINIONS COUNT